Jane Whitefield is back, and she is trying to live up to her promise to her husband not to help any more fugitives to disappear. But then her husband brings her a Richard-Kimble-like friend who has been framed for the murder of his research assistant, but he can’t even blame a one-armed man. Her husband asks her to help because the friend is his old mentor.
What I Liked
The story expands outward pretty fast, as Jane discovers that other people have been using her identity and reputation to “help” people for profit, in some cases where the people didn’t need any help but were scared into thinking they did. Basically to create the demand for the service they can provide. So Jane has to figure that part out too, or she’ll never be able to save anyone else again, let alone her husband’s friend. Added to the mix is an FBI agent who wants to know what is going on, and knows Jane has the answers — and he’s willing to arrest her to find out. » Read the rest
Jane Whitefield is happy in her new life as a suburban housewife. But then someone shows up at her door on the reservation, knowing she used to be the-woman-who-makes-people-disappear. And this one needs to disappear — a young woman who worked for the mob, taking care of the house for an old man who was the mob’s moneyman with a photographic memory, keeping it all in his head. When the man escapes, and then gets whacked, Rita knows she needs help to disappear before the mafia finds her and wants her to tell the moneyman’s secrets — secrets only he knew. Jane doesn’t want to help, having left that life behind, but she has no real choice — the girl has come to her door, her real door, in her new life.
What I Liked
The plot deals with the mafia’s money, and their search for Jane. There is a strong sub-plot about the money, and while it is initially a little far-fetched, it takes the premise and breaks it down into manageable chunks that make it seem almost plausible. » Read the rest